Definition from the internet, found via google search, making me feel that I am not alone in the world:

  1. Attunement | Define Attunement at Dictionary.com

    dictionary.reference.com/browse/attunement

    Main Entry: attunement. Part of Speech: n. Definition: being or bringing into harmony; a feeling of being “at one” with another being 

Today I walked to the ICA with my beau and my gal. We left the house somewhere near two, both my gal and my beau having a hard day, me wishing to cheer them up, to bring us together. We walked to Davis Square, where we took the T to the museum. Before we were halfway up the hill to Broadway, my gal in her pink coat was far ahead. She continued this way until we arrived in front of the T station, making my beau wonder if he was doing something wrong, reminding me of the time I walked her to meet the carpool, and followed her all the way there. At the museum, we wandered the exhibits, mostly on our own, coming together a few times, when one of us missed the other, for a brief shared glimpse to show another what we loved, to take a photo, and for a long time, inside the exhibit, The Refusal of Time, put together by William Kintredge.

For those many moments, I stood beside my beau, our breathing in sync as we watched the black and white images projected on three walls. For awhile, my daughter stood nearby, then she eased her way through the crowd to a place on the floor, where she sat and soaked in the exhibit. Others sat on chairs, or on the floor, or stood nearby, some in groups, some on their own, some in pairs.

On the way home, my gal and I sat side by side on the subway, across from my beau. He had searched for three seats together, but the train was too full. My gal’s arms and mine touched through our coats, and our shared gaze rested on the others on the train. Earlier in the afternoon when I had asked her which route to take from the museum to Fanueil Hall, the Greenway or the Waterfront, she had chosen the Greenway, where we could see a group of skate board dudes opposite us, telling me she wanted to people watch. So on the train, arm to arm, I shared my observations of a couple across from us, observed that the woman spoke what sounded like a Spanish accented version of Spanish, much like our friend Carla, with whom we had shared two weeks in our home last spring, and a surprisingly deep connection. My daughter observed how pretty the woman was, and I observed how nice she seemed, wondered if the man she spoke with was a partner or a friend. My daughter speculated he was her partner, confirmed her suspicion in my ear when he kissed her cheek. Then I noticed her diamond ring, wondered if they were married, noticed he didn’t have one, and my daughter said they better be. I said he could be someone else, besides her husband, and my daughter noted that if she were the one with someone besides her husband she would remove her ring.

I wake up in the night with the back of my beau pressed against my own, on my side of the bed. He arrived late Friday night, straight from his mother’s home, after making a plan to send her to the hospital, which was supposed to happen via his brother’s car, driving her to New York City from Connecticut. Instead she went via ambulance, met his third brother there at the hospital where that brother’s son is in training as a neurosurgeon. One connection to the other, stringing dots to safety, or not, his mother a very old woman, on the brink of death, threading the needle on a Hail Mary prayer, as my beau had described the days ahead yesterday morning, before calling his brothers and his mom and asking the home health aide to give him a first hand report on his mom. Four days he was by her side making plans for her to get some pain relief and to be cared for in her home after a steep decline from independence, or to go to the hospital for a treatment aimed at relieving pain. It may be the end of her life, the end of my beau’s physical connection to his mother, though the relationship will live on.

All this wakes me near five am thinking about attunement, about the way a mother and a newborn baby come together after  birth, seeking to regain that shared breathing and respiration, circulation which in utero was effortless, how sharing a home or a bed or a subway train or even space in a museum or a coffee shop brings us great satisfaction and contentment, or leaves us feeling all alone.

So, I rise, in the absolute dark upstairs, to find lights on in the tv room below and my cat Frances waiting at the door, to sit beside me and purr while I type, her body warming mine through the blanket on the couch, the furnace breathing through the pipes in the house, loud now I stop to listen, filling the house with hot air, as soon we’ll all wake and breath closer together or far apart, the shared breathing moving from sleep to wakefulness a mixture of separation and contentment.

Yesterday my beau and I made frittata. Really he made frittata and I cleaned the kitchen and invited the kids to the table, a round one in my kitchen where we sit when meals are cozy. Later in the day, my beau and gal and I shared a table in the ICA, she hungry, we craving coffee, and then at 7 we met up with my boy in Davis Square to share four plates of Tibetan food, warm light, in the company of strangers who cooked and served and cleaned, and ate and talked and laughed. Then we walked home again, along the sidewalk in the cold, stopping at CVS for a razor, a binder, some nail polish, a lip gloss, toilet paper, notebook dividers, all carried home in four bags shared between four people.

At home we took time apart around the dining room, living room, tv room, three adjoining spaces, all in separate chairs, all with separate devices, my beau and boy on laptops, my gal and I on phones, my gal watching tv, the rest of us reading, looking, watching, whatever you call checking e-mail, Facebook,and searching the internet. Then the kids and I watched New Girl, my latest addiction and pleasure in the tv world, joined for an episode and a half by my beau. Lots of casual sex seemed to be the theme of those last two episodes, though in the nuances of the series I see the cast of characters fighting against it, talk with my gal briefly about all the sex we’ve seen, noting that it seems ok, that she is a teen, and it seems normal to want to play or read or watch about those older than ourselves, remember a conversation or an article I read when she was young about Barbie play for young girls, and how many think it’s inappropriate with Barbie’s full grown silly woman’s body, but how from the time we are small, we are learning about the next phase of life through story, play, and image.

Kintredge’s work, The Refusal of Time, if the words on the entrance to the museum are true, has something to do with the standardization of time, how at one point Greenwich Mean Time, even the clock, took over the world. The piece I remember was a parade of shadow puppetry, individuals, who all appeared to be black, African, danced along from the corner nearest us at the back left hand side of the space, around the front wall to the right side wall. There were sounds and images and for awhile there was a feeling of a parade, with each member moving along in a rhythm of his or her own, with style and grace. Then, as things shifted, forms overlapped, technology, even in the form of a simple baby carriage pushed by a small girl, shifted things away from human forms, and by the end of that scene, gobs of black scattered across the images of dancing people overshadowed the dancing and stuck in my mind. It’s hard to explain this work without a shared experience of being in that room. When I got home, I encouraged my son to visit with his gal, as seventeens and under get in free and I’d really like to talk with him about it, to see what he thinks and how he and his gal might react.

In the gift shop before we left the ICA I looked at a beautiful book of the Kintredge exhibit, a store copy unbound in plastic, wishing the exhibit could go on for me, wanting to read text to explain the images, and to have more time to absorb the work. The book in it’s plastic cover cost one hundred and twenty five dollars, so I went home instead with a book of houses published by Phaidon, a sort of bird book of houses around the world, houses created throughout history to reflect a sense of home in a particular place and time. Home, that wonderful word.

As we closed up day care, my friend and I talked about home, about how hard it is to find it, how hard to let it go..She gestured with her fist over her heart, telling me how she learned, after her parents divorce when she was a young child, after living in multiple apartments, feeling homeless her whole life, where home is..and I wonder still, is it in the walls of Garrison Avenue where I’ve raised my kids, does it need to be here, or could we find it elsewhere, could I without them, could I with another, not my former husband, but my beau, or someone else, if this one doesn’t pan out? It’s the attunement we’re seeking is what I think, that sense of oneness in the world, whether in a coffee shop or a museum, whether alone in our chairs with our devices inside our shared home, or in front of one tv, snuggled up on couches and cushions and soft chairs, or with our backs pressed up against one another, sharing the same bed, breathing, temperature, somnambulance in sync.

Learn more about Kintredge. It’s not all about attunement. The colonial powers might have wanted that on some level, too, when they insisted the world live and breath on their time. Apparently Albert Einstein argued that it was possible for time to move differently, for each of us to experience time in our own individual way, for time somehow to pass differently that we think. The dancing parade made me think about that, about standardization, top down education, top down time and place, about finding our own individual rhythm and way of being, about how we more organically get in sync or don’t, about the pleasure of  a conversation, whether in day care with the fives and twos, or on a subway ride with my gal, or around the kitchen table, of how that can’t be planned or forced, though it can be orchestrated, and if we don’t try, it often won’t happen, which is probably why I love so much to cook and share a meal, the family style dining part of our day care something I can’t quite give up, in spite of being up in the middle of the night typing, really now 6 am, and needing to spend a good chunk of Sunday shopping for the day care and my home.  Stopping time is worth it, to notice together the sweetness of a pear, to hear about my son’s experience of his first college class, to look into my beau’s eyes, to have my arm rub up against my daughter’s on the train. All those times are rare in days of wandering life alone, the glue that holds me together, though not the only thing. The spaces in between the togetherness are sometimes more mysterious, like when I wake up in the night and tiptoe down the stairs, only to find the cat there waiting, and I wonder what will come in the dark if only I take time to listen and pay attention and record the thoughts inside, percolating up from the day.

Somehow the exhibit felt familiar, all of us in the room with the breathing machine and the images on the walls, the sounds and movement bringing us along, reminding me of SVS, of WFDC, of life in the city and in my family, disunity into unity and back again, resonance and synchronicity, joint venture, conflict and harmony. Rhythm of life stuff, not always music, not always noise, sometimes silent, sometimes dull, sometimes cacophony, sometimes shiny as can be.

Check it out at the ICA, on your own, with a child or a friend, even in a group. Then tell me, if you can, how the experience was for you.

http://www.icaboston.org/exhibitions/exhibit/william-kentridge/

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